2009-04 Dennis' Deliberations

Siegfried and Roy appeared on TV for their “finale” On March 6th.

I have had a thin but long connection with S and R through Reid Carlson. Reid left Disney in the mid 70s and went to work with the Feld (Ringling) organization and helped with the Circus and when Feld produced S and R, he was a part of that as their scenic designer.

He gave my wife Cindy and I special tickets to the Siegfried and Roy Show at the Mirage in 1999 and we sat front row. We sat 24 inches from the shoes of the performers and could see the mechanisms on everything! I recall the dirty mirrors on the mirror tunnel when the cat comes out through Roy in the Interlude/ Spider bit! We actually got tiger slobber slung on us. I got the feeling they put “show friendly” people in the very front rows. They had us put red heart stickers on our forehead and another sticker because our area was guarded and access restricted. It was a great spectacular.

Needless to say, Siegfried and Roy are as much a product of luck as talent. If there hadn't been a Las Vegas, and if these guys hadn't been a cleverly promoted and freaky novelty act that people going to Las Vegas just HAD to see -- they would certainly have remained in the back waters of entertainment mediocrity over their entire lives.

Early film clips of these guys tell the tale: Their first "cat act" was little more than a variation of the Sub Trunk. And before meeting Roy, Fischbacher was just another cloned Dove Act, no different than hundreds that came before him. When they got to Vegas, the need to expand the act to garish Vegas proportions was virtually mandatory. They clicked with the Vegas approach.

Naturally I watched the 20/20 ABC TV special this last Friday. It was interesting but sad. I recorded it because maybe at a later date I will feel better about it.

In an odd opening to their short performance, it was Siegfried, instead of Roy, that rose from the ashes out of a pan on top of a thin see-through box. Why not Roy? The 20/20 interview implied that Siegfried had crashed and burned psychologically after Roy’s accident. Maybe he needed more healing than Roy.

The “out of a fire pan” effect (borrowed?) has been in Europe in Peter Marvey’s illusion show for some time and can be seen in its original form about 25 seconds into Marvey’s promo reel (YouTube) . In my opinion, Peter Marvey is one of the most original modern stage illusionists. He has very clever never-before-seen illusion concepts! Check out all his demo reels on You Tube. He has very clever never-before-seen illusion concepts! (YouTube)
The illusion of “seeing through” is accomplished by a “bottom of the body moving fake” that is reflected from the base with the 45 degree mirror. I was told that a rod projects from the back of the stand and when the magician moves behind the stand, the fake slides into view on the bottom. The rod and fake are spring loaded so that when the magician then moves off from the back, the fake is brought back to the side and out of the reflection view. It is very deceptive but requires a constant black background and on the S and R bit it was not constant and thus exposed. I have the entire 20/20 special on DVD, if you want a copy.

There is only ONE mirror and it reflects down. But in the bottom is a thin fake body part! (such as the way “Steinmeyer’s Windshear” works with the fake blades). The purpose of the bars (which are actually in the bottom but look like they are on the back) is to block a view of the bottom of the box if anyone is above stage level. So, on Marvey’s tape there is a fake of him from the waist to his ankles that moves in sync with his body giving the illusion that you are seeing through the table.

Americans are obsessed with the Rehab/ Resurrection myth. The devotion is definitely religious in emotional need and impact. In our perverse modern distortion of the Calvinistic-Protestant-Puritan work-ethic we love to see “nobodies” become famous, rich and acclaimed and then fall like rocks and crash and burn and then be reborn and restored to even greater glory! (Oh, no! I hear Michael Jackson is coming back)

We love it… it is the Grand Drama of Western civilization and may come from our individualistic American perversion of The Book of Job in the Bible and our likewise individualistic understanding of the Christian faith. (Born poor in a manger -matures and becomes the Messiah-only to fall in the Crucifixion as a rejected criminal and then rise in the Resurrection as The King of kings). American Christianity seems unique in not seeing the corporate identity of the individual with Jesus but rather as a plot to be duplicated in each individual. Gnosticism is always just below the surface in American religion.

Print out this edition of DD…. Tape it to your mirror! If you want show business success, literary success or creative success in the performing arts, use this formula! It is a part of the firmware of thought and psychology in Western Civilization.

Every magic illusion, every performance MUST have a version of this formula. If you carefully look at Freytag’s Dramatic Structure, you can see that it is built into every dramatic plot line.
Bernie Yuman is the manager of S and R and has always carefully used this formula when he portrays them. “Poor Germans born in a war torn country, alcoholic father- beat all the odds after rejection to become superstars” and now… They return in glory to be Resurrected and forever glorified. There is nothing wrong with this Grand Drama…This is the way we want to think as self-aware thinking humans.

Without “conflict and plot” life would be very boring.

Do I think it was really them under those masks...until the end? Whoever it was moved very slowly throughout the performance. I don’t know. I guess it doesn’t matter, does it? Isn’t life all an illusion anyway? They did make a comeback and raise millions for the charity. Is not THAT what matters and is the “real”? It is only in our minds that we bring “meaning” to all these electrons spinning in their shells in the middle of thermo-dynamic chaos.

None of this is permanent (or as Plato would say, “real”) anyway except the “meaning”. Returning again to the similarity of, drama and religion, 1 Corinthians 13:12-13 says that ONLY “faith, hope and love” are “permanent”. Everything else passes away. Aside from any religious dogmatic association, I believe that it is good advice.

The “love” is “agape” which in Koine Greek means (for the most part) “self-giving charity”. The Greeks had 3 words for love: Agape, Eros and Phileo. English is lacking with only one word and we often transpose the meanings. Again, “charity” may be the foremost way that Siegfried and Roy are remembered. The formula certainly worked for Jerry Lewis.

Dennis Phillips